It also reached number three in the United Kingdom and number one in both Australia and New Zealand. During the song's chart run, Billboard enacted a policy that included video streams as a component of their charts. "Harlem Shake" was well received by music critics, who viewed it as an appealing dance track, although some felt that it was more of a novelty song. After the song became a hit, Mad Decent label head Diplo reached an agreement with the artists of the song's samples, which had not been contractually cleared before its release. However, according to Baauer, he has not received any of the money the song made because of the legal issues from not having properly cleared the samples. American rapper Azealia Banks released a remix to "Harlem Shake" on her SoundCloud page, which was subsequently removed at Baauer's request and led to a dispute between the two. Problems playing this file? See media help. "Harlem Shake" features harsh snares, a mechanical bassline, samples of growling lions, and Dutch house synth riffs. It has a high tempo characteristic of hip hop and a dance music drop. According to Andrew Ryce from Resident Advisor, "Harlem Shake" is a hip hop and bass song, while both David Wagner of The Atlantic and Khal from Complex described it as trap, a musical subgenre with stylistic origins in EDM and Southern hip hop, featuring Roland TR-808 beats and drops. By contrast, Jon Caramanica from The New York Times argued that it "isn't a hip-hop song, but it is hip-hop-influenced." Ryce felt the song's music "represents the hip-hop contingent of" bass music, which is typified by rolling snares and jerky basslines, finding it "particularly symptomatic of a growing strain of music obsessed with 'trap '".
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